SKU: 64266797174

Bouletta - Samsung Galaxy S6 Edge WalletCase (Rustic Black)

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Description

Bouletta - Samsung Galaxy S6 Edge WalletCase (Rustic Black)Kenmerken: Deze hoogwaardige WalletCase gemaakt door Bouletta biedt optimale bescherming voor uw 'Samsung Galaxy S6 Edge' en is erg handig en gemakkelijk te gebruiken. Dit verfijnde 'Rustic Black' leren cover is een unieke eye catcher. De fluweelachtige voering aan de binnenkant beschermt uw telefoon tegen krassen en stof. De rubberen kunststof frame waarin de Samsung Galaxy S6 Edge wordt geplaatst, versterkt deze bescherming. Dit is geen goedkope

Kenmerken:
Deze hoogwaardige WalletCase gemaakt door Bouletta biedt optimale bescherming voor uw 'Samsung Galaxy S6 Edge' en is erg handig en gemakkelijk te gebruiken. Dit verfijnde 'Rustic Black' leren cover is een unieke eye-catcher.
De fluweelachtige voering aan de binnenkant beschermt uw telefoon tegen krassen en stof.
De rubberen kunststof frame waarin de Samsung Galaxy S6 Edge wordt geplaatst, versterkt deze bescherming. Dit is geen goedkope plastic en gemaakt van zeer hoge kwaliteit rubber.

Gebruiksgemak:
U kunt alle knoppen en functies van uw Samsung Galaxy S6 Edge gewoon gebruiken terwijl deze in de WalletCase zit. De uitsparingen aan weerszijden zorgen ervoor dat de knoppen en aansluitingen gewoon toegankelijk zijn. Ook is er een opening voor de camera en flitser aanwezig.

De Bouletta WalletCase is erg handig en gemakkelijk te gebruiken. Het deksel is geopend in een oogwenk, zodat de smartphone snel bediend kan worden.

Sluiting:
Deze WalletCase heeft een magneetsluiting. Het voordeel van de magnetische sluiting is dat de flap niet zomaar openslaat. De hoes is lekker gebruiksvriendelijk. Met één hand haal je het scherm tevoorschijn. Daarnaast kun je gewoon gebruik maken van alle functies van de telefoon, zonder de hoes van het toestel af te halen.

Design:
Het Samsung Galaxy S6 Edge hoesje heeft een lekker dun design. De Bouletta logo's aan de voor- en achterkant geven de cover/hoesje een exclusief uiterlijk. De WalletCase is duurzaam door de kwaliteit van het leer en stikwerk.


Algemene Informatie:
• Deze cover is gemaakt van echt hoogwaardig kwaliteits leder.
• Deze hoesje is speciaal gemaakt voor de Samsung Galaxy S6 Edge en heeft dus de optimale pasvorm.
• Bouletta combineert een goede bescherming met een stijlvol uiterlijk.
• De getoonde afbeeldingen zijn representatief; kleine kleurverschillen zijn mogelijk.
• Alle Bouletta lederen producten worden uitsluitend in Istanbul vervaardigd door ambachtslieden met de hand. Elk stuk is een miniatuur meesterwerk, superieur in ontwerp en afwerking.
• Sommige design patronen die we gebruiken op leer, bijv. Antic, zou kunnen leiden tot lichte markeringen en krassen. Dit is een kenmerk van dit patroon en maakt het product uniek, net als vingerafdrukken. Deze markeringen worden niet beschouwd als een fout, uw hoesje krijgt hierdoor een authentieke uitstraling.

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SKU: 64266797174

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4.3 ★★★★★
Based on 23 reviews
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Product Reviews
M
Max
Phoenix, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
New York, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Houston, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Waukegan, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
Draper, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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